Pastel colors can sometimes blend together in my colorblind brain as a strange combination of Easter-egg-Pepto-pink-or-green-or-blue-ness. Real-world quilts and their gamified counterparts tend to make heavy use of pastel colors, which can make it difficult for me to give quilt-themed games a chance.
I inhaled deeply before trying out a prototype of Calico, designed by Kevin Russ, illustrated by Beth Sobel, and published by Flatout Games. Calico is a tile-laying puzzle game for 1-4 players that plays in 30-45 minutes. In it, each player crafts a quilt, and certain combinations of colors or patterns allows them to “stitch buttons” or “attract cats” – each of which earns points.
The color palette itself is problematic for me, but the team put a lot of thought into accessibility. Each hexagonal quilt piece includes a small icon (mushroom, leaf, etc.) that corresponds to its color and the matching bonus button. This icon was a huge help to me, and it didn’t seem to detract from anyone else’s enjoyment of the game.
I asked Shawn Stankewich of Flatout Games about the game’s development related to the use of colors (especially pastels) and colorblind needs, and he shared this about their process.
“As with any game with a lot of color (and especially here, since color is part of the core gameplay) we wanted to be both accessible and also maintain a certain punchiness and brightness to the game. Part of the art direction work was figuring out how to have a relatively colorblind-friendly palette, while also not defaulting to groups of colors that would make the artwork less appealing.”
It’s not an easy balance, and I asked about this push-and-pull between accessibility and their vision (literally and figuratively) of the game.
“Balancing the accessibility needs with aesthetics is always a little tricky. You want to make a game that is accessible for all and that provides the same experience for all (without band-aid solutions) but I have seen some colorblind palettes for 6+ colors that just fall flat when it comes to creating a cohesive color palette that is pleasing to the eye in general. It’s definitely something we constantly try to do better at.”
From my perspective, that is the goal. I don’t want every tabletop game to be black and white (or Crayola Blue and Yellow), but I am hopeful that I will be able to play every game, even if I might need some help. I enjoy seeing a beautiful game on the table, and I appreciate the hard work graphic designers and illustrators do to strike the balance between accessibility and aesthetics.
With any luck, more games will do it as well as Calico.
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