Colorblind Games Profile: Eric Slauson

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Over the past year, I’ve had the pleasure to learn how colorblind designers, developers, artists, and publishers have both overcome and leveraged their color vision deficiency to make great games. I was excited to connect with Eric Slauson — designer of Tattoo Stories, Nerd Words: Science, and the upcoming MonsDRAWsity — about his experience.
 
Eric was identified as colorblind by his kindergarten teacher, and his color vision deficiency continued to affect him in elementary school and in college.
 
In one class, none of the markers had the names written on them. I have a very clear memory of being laughed at because I colored the trunk of a tree red instead of brown and the leaves brown instead of green,.
 
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In college, I took a geology course and almost failed it because no one told me that using color was a massive part of identifying rocks. I complained to the professor, and she was like, “Wow, I never thought of that before. I should put that in the syllabus.”
 
In is own classroom, Eric avoids making color a big part of his lessons.
 
A lot of the decisions I make as a teacher are influenced by the positive and negative memories I have from being a student. I don’t want to put a kid through the experiences I had, so when I DO use coloring as part of a lesson, I make sure all of my supplies have color names on them or give students an alternative way to do the assignment that doesn’t involve coloring.

I asked Eric about his experience as a game player and designer with color vision limitations.
 
What do you wish people knew about color vision deficiency?
I want people to know that I CAN see color. People who have normal color vision have a really hard time understanding when I can correctly identify the color of everything they are pointing to in a room (what colorblind person hasn’t been subjected to this?), but then I cannot tell the color of their shirt that’s some weird color like taupe or burnt sienna or sand. I can see your shirt has a color, I just can’t name it.
 
The analogy I use most often is reading. Someone who is illiterate can SEE the letters and words on a page, they just can’t make sense of them. To use another example, you know how some fonts make it hard for you to tell the difference between a lowercase l (el) and a capital I (eye)? That’s me with blue and purple.
 
What do you find the most difficult when playing games?
Having to ask other players what colors pieces are. At best, it slows the game down while I double-check that I’m going to draft a blue card and not a purple card; at worst, if I must ask it lets everyone know the cards in my hand.
 
In games where you have to think several moves ahead, it’s sometimes hard for me to have long term strategies based on board state because I could be basing my plan on an incorrect color reading of the pieces.
 
Do you have any standard workarounds at the table?
I always pick the white meeple to play with so I can easily identify it on the board. Also, a lot of color identification has to do with the lighting in the room. Anything but bright lighting makes telling the difference between colors much harder for me.
 
Have you run across issues related to color vision in your own designs?
The games I design don’t typically involve a ton of pieces or icons that you need to keep straight. I did design a trick taker once and had to give the suits different colors. I chose red, blue, and yellow for three of the suits because those are really easy for me to tell apart. I chose a green for the fourth suit that looked clearly different from yellow and red on my computer screen, but when I printed the prototype, I discovered that unless I had ideal lighting, I was getting ALL of the colors mixed up. I went back to the drawing board and added icons around the colors to help me differentiate.

Eric’s current and upcoming games are focused on approachable play in community, and each is 100% colorblind-friendly.
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Keep up with Eric via Twitter at @slausondesigns and on Board Game Geek.
Image Credits: Eric Slauson